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Delinda VanneBrightyn has always been
an artist, working professionally for forty-one years. Her career
spans both the visual and performing arts. She has proven to
be a visionary, in her own personal work and what she has brought
to the community table. Delinda has envisioned, instigated and
delivered programs to her community that empowers others for
success and drives economic possibilities. She is currently honored
as one of the 2012 Remarkable Women of Taos by the Town of Taos.
- Working as a sculptor for the last eight
years, VanneBrightyn's primary mediums are kiln-formed glass
and bronze. Glass drives her creative process because of its
illuminative and translucent qualities and because of the still
unchartered territories of the medium that take her into the
scientific and exploratory side of the process. She pushes this
difficult material to create contemporary figurative and abstract
works which speak of life, growth and revelation. Her constant
muse is the beauty and resilience of the human experience and
spirit.
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- Delinda lives and works in Taos, New
Mexico, "place of my heart and soul". Her glass studio
is located next to the National Forest in the foothills overlooking
Taos and the setting sun. The studio for architectural and functional
works is in the Town of Taos at DV-Art and Architecture, 1210
Salazar Road. She works and teaches from her studios, as well
as to welcome an occasional tour of collectors or students.
- Besides her art, Delinda is very active
in the community of Taos. She founded and currently serves as
President to the Board of TIGA: Taos Institute for Glass Arts
and is the founder and chairperson for the bi-annual Taos Art
Glass Invitational and Walking On Glass Tour. Additionally, Delinda
serves on the Board of Directors for Taos Search and Rescue.
Delinda is a certified search-dog team with her K-9 partner "Zatoichi",
working throughout New Mexico and into Colorado helping to find
people lost or injured in off-road areas. Having served as the
team's Training Officer for 6 years and as K-9 Unit Leader for
7 years to present, she is also President of the Board for this
all volunteer organization. When asked about her volunteer work,
Delinda states that "People, animals, the wilderness, the
arts-these are my passions and service is a part of me. As I
must breathe, I must also give back to my community. It is an
important balance that maintains my creative and spiritual self."
Sundance Performing Arts Center in Taos is a community space
owned by VanneBrightyn and is available at low cost to performing
and visual artists for classes, shows and events. Delinda is
a member and has served on the board of Glass Alliance - New
Mexico, a guild comprised of artists, galleries, and collectors
of contemporary studio art glass. Glass Alliance - New Mexico
is a non-profit organization whose mission is to further the
development and appreciation of contemporary studio art glass.
VanneBrightyn's life is inspired not
only by the natural beauty prevalent in Taos, but also by fellow
artists living and working here. Maurice Lowe, who was Henry
Moore's studio assistant and, later, Professor of Sculpture at
Penn Graduate School of Fine Arts, is a constant inspiration,
mentor, and friend for VanneBrightyn. Peter Chinni, a sculptor
and painter who is in museums and private collections throughout
North America and Europe, is also a friend and mentor, providing
valuable critique and encouragement. Jack Smith, a nationally
renowned portrait and still life painter, has recently encouraged
VanneBrightyn to paint in his style of oil on copper which, VanneBrightyn
says, "has given me a fresh look at color and perspective
in my work. I am infinitely fortunate to know and collaborate
with each of these extraordinary and gifted artists."
About her life: Born in Dallas, Texas, Delinda began at age
14 with a career in the performing arts. Delinda has graced the
stage with such extraordinary talents as Gene Kelly, Bob Hope,
and Ginger Rogers. Performing as an actor, model, singer, and
spokesperson on a weekly television show, her primary love, focus
and mastery remained in dance. In 1977 she was the Artistic Director
of Sundance Professional Dance Artists, a company working in
both concert and commercial performance venues. Her resume is
extensive in performance, direction, and choreography.
Since 1976, Delinda also worked in fiber
arts as an aside to the intense, fast pace of performance art.
She owned and operated a gift manufacturing business where her
designs were hand-sewn by 32 women and sold across the country
through the Los Angeles and New York Trade Marts. She was offered
a show of her original fiber art-works by a New York gallery
in 1979. This work, however, remained secondary until later in
Los Angeles.
- In 1984, Delinda moved to Taos, which
intensified her knowledge and passion for the visual arts. She
became the Director of the Rod Goebel Gallery, applying her experience
of developing and marketing performing artists to visual art.
However, she missed dance and moved back to Los Angeles at the
beginning of 1990. Coming home from a rehearsal late one evening
in 1992, she was hit by a drunk driver, ending the possibility
of continuing a performance career in dance. Her slow rehabilitation
from the life-threatening situation was life-changing. However,
she returned to teaching, with her students winning the ballet
competition at "Youth at the Greek", a Los Angeles
city-wide theater dance competition in 1997. She went on to choreograph
"The Nutcracker Ballet" for the City of Los Angeles
in 1998. Delinda was featured in a documentary movie entitled,
"A Hero On Every Block". The documentary celebrates
the heroism that takes place all around us through the lives
of everyday people, in what they persevere, overcome and how
they inspire others.
- During her rehabilitation, VanneBrightyn
turned her main focus to visual arts. For 5 years she chaired
an annual art event for a large California non-profit. She taught
weekly art classes in different media (including fiber, beads,
sculpture, and fused glass) and took the opportunity for extensive
self-exploration and learning. She designed a line of jewelry
and her designs were featured in editorials in Women's Wear Daily,
Accent, and Accessory magazines. She began to be invited to teach
across the country in fiber art and taught at nationally acclaimed
art schools and conferences. She wrote and published a book on
weaving with beads. Her artwork was purchased by private collectors
and the Smithsonian.
About her current artwork: At the end of 1999, Delinda moved back to Taos
and stopped teaching so she could focus more intently on her
own art. In 2003, Delinda decided to change her primary medium
to glass. She was most interested in kiln-formed glass, particularly
casting and pate de verre techniques. In 2005, she traveled to
Switzerland to study with master glass caster Linda Ethier. She
attended the Bullseye Glass Learning Center in Portland, Oregon
to study with Alicia Lome in pate de verre techniques, and again
studied with Linda Ethier. Delinda still works to push the technical
envelope necessary in order to realize what she envisions in
glass.
- Delinda's work is clearly influenced
by her past career in dance, as the work has been called "graceful",
"moving" and "enchanting". Her sense of color
and texture, brought about through a masterful encounter of fiber.
VanneBrightyn's work is most certainly informed by her rich and
challenging experiences in life. She celebrates human resiliency
and inspires thought on the human framework through her translucent
and vibrant works.
- VanneBrightyn has exhibited at LewAllen
Contemporary (Santa Fe, NM), Winterowd Gallery (Santa Fe, NM),
Artifex (Taos, NM), Henningsen Fine Art (Taos, NM), Salon MarGraff
(Santa Fe, NM) and The Amarillo Museum of Art (Texas). She is
currently represented by The Edge (Santa Fe), Hawthorne Gallery
(Springfield, MO), and Hulse/Warman Gallery (Taos, NM) and is
in private collections throughout the United States and abroad.
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